Friday, May 22, 2015

The Reckoning (2004)


tags: medieval murder mystery, play within a play

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from Amazon.com
Set in 14th century England, THE RECKONING focuses on Nicholas (Paul Bettany), a young priest who has broken his vow of chastity and in turn becomes a fugitive, escaping from his fellow monks and their judgment. Posing as an actor in a traveling acting troupe, Nicholas, along with the actors, discovers that a young woman convicted of killing a boy is actually innocent and the troupe sets out to prove her innocence by incorporating the crime into their plays.
My rating is actually only 3 stars but I give a bonus star for Tom Hardy's appearance playing mostly women's roles. In this video he appears as Eve and the deaf-mute woman accused of murdering a young boy. Tom was pretty before he bulked up for Warrior and Dark Knight Rises.




Regardless of [IMHO the talent-challenged] Paul Bettany in the lead role, I watched this 2004 movie because historical fiction, particularly medieval period, is one of my favorite book as well as movie genres. Willem Dafoe as the travelling actors troupe's leader, Martin, and Vincent Cassel as the villainous Lord de Guise, made the decision for me to sit down and watch.

It starts out good and interesting, I didn't notice the wooden Paul Bettany. One of the strangest scenes is Willem Dafoe somewhere at the beginning of the movie doing all sorts of acrobatic moves, doing cartwheels and somersaults, and arching his body like a hoop, I was scratching my head wondering as to the relevance. There's none. I like the story line enough to continue watching but the second half stumbles a bit. Vincent Cassel is underutilized here and his last scenes are just terrible and badly written, it's cringe-worthy. There are huge historical discrepancies which are forgivable because the main story is finding out who actually murdered the boy.  

The movie is based on the novel Morality Play by Barry Unsworth which I am currently reading. I'm liking his writing style but he is not nearly as good as Umberto Eco and Edith Pargeter/Ellis Peters. After reading a few chapters, I find that the movie mixes up the characters a lot. For example, Willem's acrobatic moves belong to the 15 year old boy in the book which was mentioned just once. I don't think it's necessary in the movie and with Willem Dafoe's character having the ability. Oh, well. Movie adaptations are almost always inferior to the book and that's fine.

Currently streaming on Netflix and Amazon.

Sunday, May 17, 2015

24 Fiction Books

I already read 24 fiction books and 1 non-fiction this year, halfway through my goal of 50. So far, most are great, some are just so-so, and thankfully, only 2 are rated 1 star.

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The Strange Library The Strange Library - Haruki Murakami
Saint Odd (Odd Thomas, #7) Saint Odd - Dean Koontz
Malice: A Mystery Malice: A Mystery - Keigo Higashino
Skynoise Skynoise - Ernie Lindsey
Wreckage Wreckage - Emily Bleeker
The Buried Giant The Buried Giant - Kazuo Ishiguro
Confessions Confessions - Kanae Minato
F F: A Novel - Daniel Kehlmann
Fahrenheit 451 Fahrenheit 451 - Ray Bradbury

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To the Grave (Jefferson Tayte Genealogical Mystery) To The Grave - Steve Robinson
Strangers on a Train Strangers On A Train - Patricia Highsmith
Dragon Tears Dragon Tears - Dean Koontz
The Snowman (Harry Hole, #7) The Snowman - Jo Nesbø
The Golem of Hollywood (Detective Jacob Lev #1) The Golem Of Hollywood - Jonathan and Jesse Kellerman
The Stranger The Stranger - Harlan Coben

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Spark: A Novel Spark: A Novel - John Twelve Hawks
The Redeemer (Harry Hole, #6) The Redeemer - Jo Nesbø
Crow Hollow Crow Hollow - Michael Wallace

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The Infatuations The Infatuations - Javier Marías
Hounds of Autumn Hounds of Autumn - Heather Blackwood
Tales of Tinfoil: Stories of Paranoia and Conspiracy Tales of Tinfoil: Stories of Paranoia and Conspiracy - various authors
Every Fifteen Minutes Every Fifteen Minutes - Lisa Scottoline

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Miramont's Ghost Miramont's Ghost - Elizabeth Hall
The Dead Key The Dead Key - D.M. Pulley


Wednesday, April 8, 2015

Remo Williams



tags: action, comedy, rewinding the 80s 

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Synopsis from Amazon.com
When a street-smart NYPD cop (Fred Ward) regains consciousness after a bizarre mugging, he has a new face and a new identity! Now he's Remo Williams, the Number 1 recruit of a top-secret organization, and he's toppling evil at every turn, even atop the Statue of Liberty, in this "spectacular and funny adventure film" (Gene Siskel, Chicago Tribune)! Trained by a quirky Korean martial arts master (Joel Grey) to dodge bullets, brave terrifying heights and thwart attackers with his bare hands, Remo becomes the ultimate criminal exterminator. But when he faces off against a corrupt millionaire and his army of henchmen, the real adventure begins!
I've never heard of this movie nor the books it's based on. I watched it because I liked Timerider: The Adventure of Lyle Swann, starring Fred Ward. Remo Williams is my kind of 80s movie - kinda cheesy, full of action and laughs, satiric, and politically incorrect. The "Korean" martial arts master, Chiun, is played brilliantly by Joel Grey (Jennifer Grey's dad, I learned). His hilarious one-liners and great delivery steal the entire movie. Fred Ward, although not matinee idol with regards to looks, is believable and does great in his action scenes. Kate Mulgrew is very good playing an army Major; looks pretty too.

Highly recommended. Currently streaming on Netflix.

I also downloaded for free from Amazon the first book - Created, The Destroyer and a short 67-page book The Day Remo Died.

Tuesday, April 7, 2015

Interstellar



tags: dystopian, science fiction, time travel

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Excerpts of plot description from Wikipedia
On Earth, crop blight has caused civilization to regress into a failing agrarian society. Former military pilot and NASA astronaut Cooper runs a farm with his family. Murph, Cooper's 10-year-old daughter, believes her room is haunted by a poltergeist trying to communicate with her. They soon discover that Murphy's "ghost" is an unknown intelligence sending coded messages using gravitational waves, leaving binary coordinates in the dust that direct them to a secret NASA installation led by Professor John Brand. Brand reveals that a wormhole, apparently created by an advanced intelligence, has opened near Saturn and leads to new planets in another galaxy that may offer hope for humanity's survival. NASA's "Lazarus missions" have identified three potentially habitable worlds orbiting a supermassive black hole named Gargantua: Miller, Edmunds, and Mann, named after the astronauts who surveyed them. Brand recruits Cooper to pilot the spacecraft Endurance to recover the astronauts' data; if one of the planets is habitable, humanity will follow on space stations. Cooper's departure devastates Murph, and they part on bad terms.
My beef with this not-so-stellar production:
>too long at almost 3 hours; needs seriously smart editing
>everybody mumbles his/her lines; so so performances by all
>music too loud; specially irritating when cast are mumbling and music is still on drowning out the dialog; makes me constantly yell at the teevee
>tries too hard to be deep and meaningful; puts me to sleep instead
>stupidity abounds: Anne Hathaway's character, Amelia Brand, has a death wish - the mother of all tsunamis is visibly upon them but, la la la la, she still lingers in the water, la la la la la; whoosh! One dead colleague; thanks a lot Amelia.
>only in movies will you see a flabby astronaut (Maaaaatt Daaaaamon); about 30 minutes of wasted film because his part adds nothing to the story.
>the ending is terrible and vague: why would Cooper's daughter tell him to go and join Amelia? There isn't a whiff of "budding romance" between them.
>Anne is the most annoying and her dinner plate eyes are distracting; she reminds me of Powerpuff Girls cartoon characters.


Anne Hathaway and Buttercup - separated at birth?

Not recommended; okay, maybe for insomniacs.